Sampling

Sorry again for the slightly sporadic posting… It’s not that there haven’t been lots of things to say, I’ve still been finding a bit of time to squeeze into a few projects, but finding enough of a pause to sit down and write something sufficiently composed that it wouldn’t sound like fevered gibberish or a laundry list of swear words has been slightly more difficult.

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Kumihimo Classes

It’s been a while since I’ve had the chance to do even a full day craft course, let alone a multi-day one which is always a great treat. As you can probably guess from the number of RSN Day Classes and other pieces I’ve done I find taught classes and workshops really a lot of fun. Thankfully for even what used to be obscure crafts, the international sharing brought around by the internet has made people aware of some of the beautiful work and techniques out there, and I suspect encouraged the publication of ever more specialist texts.

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The Spinner’s Palette

Sometimes simplicity is best. After my last batch of dyeing, I’ve been trying to work through various colours to create a ‘palette’ to be able to spin from. The nice thing about dyeing top for spinning rather than dyeing a skein of wool directly is that this still leaves a huge number of possibilities for colour blending and mixing at different stages of the process.

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Bluprint and Craftsy

I’m a little late to the party on this one, but as I thought I’d finally find the time to finish up a Craftsy course I’d watched part-way through and then abandoned, I couldn’t escape sharing a few of my thoughts on some of the changes that Craftsy has undergone in its reimaging as the new Bluprint website. For those of you not familiar with Craftsy, it was an online craft course platform, where you could purchase a video course, watch away at your leisure, and interact with other students and the instructor through a type of integrated forum.astitchornine (1)

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Goldwork Monogram III

What’s this? Some gold threads sighted somewhere near a goldwork project? Wow! Today marks update number three on the monstrous goldwork monogram project. I promised to try and keep you all updated semi-regularly on this one and as part of that I’ve been trying to fit in around one lesson a month to keep things rolling. It’s slow, but I have a few little pieces and lessons to share with you!

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Box v0.0.1 alpha

Dressmakers often use a calico toile, or mock-up, as a way of checking the fit of a garment. An added bonus is it is a good way of practicing any tricky parts of the construction or identifying any problem areas because you’ve shredded your £20 a metre silk you’ve been cherishing for several years, awaiting the perfect project.

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