Sorry again for the slightly sporadic posting… It’s not that there haven’t been lots of things to say, I’ve still been finding a bit of time to squeeze into a few projects, but finding enough of a pause to sit down and write something sufficiently composed that it wouldn’t sound like fevered gibberish or a laundry list of swear words has been slightly more difficult.
Dressmakers often use a calico toile, or mock-up, as a way of checking the fit of a garment. An added bonus is it is a good way of practicing any tricky parts of the construction or identifying any problem areas because you’ve shredded your £20 a metre silk you’ve been cherishing for several years, awaiting the perfect project.
Kiel is a charming city in the north of Germany, only about an hour and half from Denmark, with plenty of beautiful waterfronts. Maybe inspired by the slightly… brisk weather during the winter though, it also seems to be home to a surprising amount of spinning, weaving and wooly goodness.
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It was always going to be a challenge to dislike to a book that starts with the sentence ‘I am assuming here, Dear Reader, that you are not naked’. It was also always going to be a challenge to dislike any book that promised an adventure through our textile past, present and future.
After the frustrating mess that was my last zipper bag, I decided the best thing to do was to confront my fears head on and just repeat the pattern again, trying out some different batiks along the way. After all, I had found my zipper foot, and completely understood all the demands of the pattern right?
Given the historical importance of textiles to the town and its interest in trying to preserve as much of its history as possible, it probably comes as no surprise that St Gallen has a wonderful museum dedicated to textiles with regularly changing exhibitions if you’re lucky enough to have the opportunity to attend regularly.
My first adventure of 2019 was to St Gallen, a Swiss town famous for its bustling textile trade and, if you want to be fair to all the official Swiss languages, otherwise known as Sankt Gallen/Saint-Gall/San Gallo/Son Gagl. As you might guess, its history in the embroidery, lacemaking and fashion industries has left a footprint of the city of great interest to anyone with a passing interest in textiles, crafts and art and this charming little place has plenty more feasts for the eyes as well.
From November 22nd to 25th, Harrogate Convention Centre was transformed to a den of fibre and fluff for the annual Knitting and Stitching Show. For those of you not familiar with the Knitting and Stitching Show, it’s a convention hosted at several sites in the UK, with the biggest being at Alexandrea Palace in London, features teams of suppliers, workshops and demonstrations for all things knitting and stitching.
I really love visiting museums. Where else can you cross a thousand years of history in a few hundred metres, or from central London to deepest Patagonia? I have a sentimental fondness for the V&A in London, and have been to some other great places, such as the breathtaking National Palace Museum in Taipei to the highly specialist Quilt Museum in Boston. Luckily for me, Seoul has a great blend of museums at both ends of the spectrum, from the expanse of the National Museum of Korea, or several, small gems of textile history.
This year I happened across the opportunity for my first visit to Seoul, South Korea. For being one of the world’s biggest megacities, cities with a population over 10 million, Seoul has a lot of charm, from a little book library park in the middle of the city, to the rivers that divide it up. The food is excellent and chimaek (chicken and beer) is a genius idea and I would be very happy to see, along with the Japanese izakaya bar traditions exported all over the world. Preferably alongside fabric markets as mindboggling as Dongdaemun.
