Swiss Tour I – Ballenberg

I’ve blogged before about how a country’s textile history often shaped its social and cultural history, as well as infrastructure and landscape, and Switzerland is no exception to that. While perhaps most famous for the St. Gallen embroideries and lace (and you can see some fantastic examples of that at the local textile museum), Switzerland also has a rich history of silk and cotton production and even passementerie, particularly in the Basel region.

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Revisiting Dongdaemun Market

Disclaimer: This post contains affiliate links meaning if you purchase the book through these links, I receive a small commission that contributes to the running costs of the blog. However, any recommendations and opinions in this review are my own. For more information, please click here

My visit to Dongdaemun Fabric Market in Seoul last year left me with the impression that this was one of the best fabric markets in the world. Having the chance to revisit it this year, I’m pleased to report that it is just as fabulous as ever with plenty to see and do.

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Sampling

Sorry again for the slightly sporadic posting… It’s not that there haven’t been lots of things to say, I’ve still been finding a bit of time to squeeze into a few projects, but finding enough of a pause to sit down and write something sufficiently composed that it wouldn’t sound like fevered gibberish or a laundry list of swear words has been slightly more difficult.

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Box v0.0.1 alpha

Dressmakers often use a calico toile, or mock-up, as a way of checking the fit of a garment. An added bonus is it is a good way of practicing any tricky parts of the construction or identifying any problem areas because you’ve shredded your £20 a metre silk you’ve been cherishing for several years, awaiting the perfect project.

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Review: The Golden Thread

Disclaimer: This post contains affiliate links meaning if you purchase the book through these links, I receive a small commission that contributes to the running costs of the blog. However, any recommendations and opinions in this review are my own. For more information, please click here

It was always going to be a challenge to dislike to a book that starts with the sentence ‘I am assuming here, Dear Reader, that you are not naked’. It was also always going to be a challenge to dislike any book that promised an adventure through our textile past, present and future.

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