Rage-inducing Dyeing

The stereotypical, historical image of the embroiderer is a refined young lady, sat at her frame, serenely rearranging threads to make beautiful artwork. The work is delicate, yet meticulously done, with no lapses in patience or temperament, all whilst wearing her Sunday best.

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‘Lady Embroidering’ by Victor Borisov-Musatov

The reality of the crafter is distinctly less dignified. Dye up the kitchen walls, fridge and floor, needles in fingers and blood pooling on your whitework. Swearing. Frayed threads, wonky cutting and holes in places they were supposed to go. More swearing. Half-done projects abandoned to the back of cupboard, claims of never making a stitch again and of course, lots more swearing.

I think the myth of making things always being fun and relaxing is actually one of the things beginners can find off-putting. Unless you know how many hours of practice and learning it really takes to produce a fantastic piece, it can be really disheartening to have spent hours struggling with seams only to find you haven’t caught the raw edges properly or inconsistencies in your tension when knitting have resulted in a scarf that best resembles jelly.

For the most part, I really do love creating new projects. Daydreaming about colours, calculating up seam allowances, finally getting stuck in with the stitching. However, there are some projects that just seem to go wrong at every corner and the only joys in finishing the thing so you don’t have to look at it again.

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