Apart from a recent jaunt down to the London Embroidery School for the rest of their Lace Series course, the number of in-person craft courses going on has been rather lamentable so I was very pleased to see that the weekend Lampshade Making course at Minerva Studios was still going ahead, albeit with some health and safety upgrades.Read More »
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Sadly all good things must come to an end, including the London Embroidery School’s Lace Series course but at least it ended with another nice technique, Limerick lace. Like a lot of laces, it was something I recognised, but never knew the name for and it was a really interesting experience to get the chance to work on a new ground fabric, net.Read More »
Do you remember that time when we used to go to classes? Where sewing groups would meet, exchange biscuits, gossip and the best way to stop unruly seams from rolling? Those halcyon days? Well, lucky me, because I recently got to head back to the basement of the London Embroidery School for a spot of Broderie Anglaise, where I started their Lace Series Course what seems like a couple of lifetimes ago.Read More »
After my burst of inspiration to finish the embroidery for my canvaswork piece, I ended up signing up to a few craft courses, one on sock knitting, the other on lace embroidery, to try and learn a few new things. A matter of days later, everything was cancelled, but I did at least have the chance to go to a class and, as for the rest, we’ll try again later…
There is nothing quite like getting stuck into a new thing. You haven’t quite yet realised how impossibly hard it will be to reproduce all the maddeningly complex projects you’ve been eyeing up on Pinterest and you’re new enough that you’re pleased by any new creation, no matter how wonky the stitches or sad the seams are.
It was back in Kyoto, at the Nishijin Textile Centre, that I first had a go at weaving. Nishijin is the legendary textiles district that gives its name to Nishijin-ori, the fabric produced there. It is known for its quality and the incredibly intricate patterns and designs in the weave that are often used for highly elaborate obis. In more modern times, nishijin-ori is often used in neckties or gamaguchi, the metal clasp purses that are very popular in Japan.