I was getting a little bored of making coasters but was enjoying being strict with myself and sticking to small manageable projects. Still, fabric coasters aren’t exactly the most useful things and, although I think I still have a bit to learn about getting neat bindings on, it was time to try something new. Today’s inspiration came from a tutorial over at The Sewing Chick for an incredibly cute zipper bag.
Somehow I wasn’t so laden with lovely new fabrics after my tour of Berkeley that I couldn’t find the energy for my final stop, the Lacis Museum of Lace and Textiles. Really I should have gone earlier in the day, as it’s actually only about a fifteen minute walk from Stonemountain and Daughters but it is very conveniently located near Ashby BART station so my tired feet could escape back to SF relatively easily. Even more convenient considering how many extra bags of embroidery supplies I ended up with from here!
You might think that, after the Bernina, trying quilling, and some adventures across the pond, that I’d find more novelty in refusing to try out new things than adding another piece of crafting equipment to the mix….
The subject of handmade gifts is always a topic that generates a great deal of feeling in the crafty community. There are the horror stories of people demanding blankets from colleagues they barely know, then ‘generously’ offering to cover the cost of materials to the tune of £10, or ‘can you spin my cat/dog/deceased relative’s hair’ requests. In fact, the problem is so common that Ravelry has an entire group dedicated to people who ‘knit only for themselves ‘and for people who bless us and hand us boxes of expensive chocolates, or money’.
I always love the idea of handmade gifts. If I had time, everyone I truly appreciate would get at least a handmade birthday gift every year. Maybe even one designed especially for them. However, the reality of the processes is more along the lines of i) nearly forget birthday until last minute ii) panic, iii) try and be as thoughtful as I can last minute.
Although I was really in Japan for some hardcore temari studies, I couldn’t resist the opportunity to have a look for some weaving courses. It’s hard not to fall in love with the exquisite and wonderful world of Japanese textiles, in particular the world of 西陣織 (nishijin ori), the intricate weaving behind the most luxurious of fabrics.
I’d done a weaving experience at the Nishijin Textile Factory where I made a scarf/table-runner hybrid with all the charm and textural properties of a bag of fleas. Past that, I haven’t had much luck finding short, drop-in weaving courses. That was until I had the opportunity to not only meet the creator of saori weaving but to study in her studio.
Although most of us love our local craft shops, the unfortunate reality is it is often easier to buy online. Finding brick and mortar suppliers for weaving cottons seems to be particularly challenging which is a nuisance when you’re not too familiar with the naming conventions for thread weights and have no way of seeing them or comparing them.
To try and help with this, I’ve put together an assortment of threads, from the Güterman sewing machine thread to flat silks, along with the wraps per centimetre to give you some idea of how all the different threads compare.
