I love making these fabric boxes. It’s great having a project where you get a nice big square area to do some free motion quilting over and they’re a relatively simple pattern overall. This is the third of these boxes I’ve made – you can see my first and second attempts here and for this one I really wanted to focus on the free motion quilting for it.
I’ve ventured far out of my way to visit craft shops before, some of which were rather off the beaten track, but I’m not sure any have proved quite as impossible to get to Zürcher Stadler. This isn’t so much because it is in the middle of nowhere, or because the sat-nav can’t find it, but because the road network leading to the place has a strategically placed no entry sign that seems to make it impossible to enter the estate where the shop is. I won’t say how we overcame that particular obstacle but plan your visit and route in advanced.
Happy 2020 everyone, may the new year bring you lots of great ideas, fabulous materials and the time to put them all together! As is traditional for this time of the year, let’s have a look back over some of the last year and set out some overly ambitious goals for the year.
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Phew. Sorry for the extended absence. Normally when I know I’m going to hit a busy period I try and get organised and make sure I have a few things prepared in advance but with everything that has been going on I’m afraid my organisational skills haven’t been extending more than five minutes into the future.
It’s very easy to feel that you’re in the middle of nowhere in Switzerland. Even Geneva, which is the second most populated city in Switzerland, has a population of less than two hundred thousand. The five biggest cities represent 40 % of the total population, making it relatively easy to ‘escape to the countryside’ where there are some excellent hidden gems of craft shops.
As well as the wonderful local architecture and the delightful Museum Appenzell, there is another historical textile treat outside of the main village, the Appenzeller Volkskunde-Museum, which also affords you the opportunity to enjoy the local, rolling hills and scenery. This is the folk museum dedicated to the local working culture and heritage.
On the north east side of Switzerland is the canton of Appenzell (well, Appenzell Innerrhoden and Appenzell Ausserrhoden if you want to be exact). Confusingly enough, the capital of Appenzell Innerrhoden is a village also called Appenzell, which is the largest village in the canton with a population of a whopping 6000 people.
After a fascinating visit to the open-air museum in Ballenberg, the next stop on the tour was to see another geographical feature Switzerland is famous for, lakes. Apparently, Switzerland has a total of 103 lakes of varying sizes, impressive given the total area of the country only amounts to 41 285 km2 (15 940 sq mi) with a lot of mountains to squeeze in that area too.
I’ve blogged before about how a country’s textile history often shaped its social and cultural history, as well as infrastructure and landscape, and Switzerland is no exception to that. While perhaps most famous for the St. Gallen embroideries and lace (and you can see some fantastic examples of that at the local textile museum), Switzerland also has a rich history of silk and cotton production and even passementerie, particularly in the Basel region.
Oh summer, where hast thou gone? The bright mornings and the long evenings, not stumbling to and from work in the dark, and the general piece and quiet of being in a city that seems to lose a significant proportion of its inhabitants over the summer vacation… All gone… Seemingly in an instant. As I’m doing most of my dyeing outside now, it’s probably also coming towards the end of dyeing season and the start of needing the daylight lamp for any fine embroidery work. I think I start to understand why some people are seasonal silk shaders, it’s much easier when you can actually see what you’re doing!
