Apart from a recent jaunt down to the London Embroidery School for the rest of their Lace Series course, the number of in-person craft courses going on has been rather lamentable so I was very pleased to see that the weekend Lampshade Making course at Minerva Studios was still going ahead, albeit with some health and safety upgrades.
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As it seems everything else in life has had to go online, I supposed it was only an inevitability until things like craft shows and festivals started finding ways to transport themselves to the digital domain. This is exactly what the Festival of Quilts was experimenting with, with their ‘Beyond the Festival of Quilts’ event, which caught my eye for the digital masterclasses on offer.
I was going through my fabrics, looking for some scrap to help frame up some embroidery, when I came across some old ice dyed fabrics I made a while ago and was struck by how nice they were. What is also very rewarding about ice dyeing is that it is very straightforward to do and, if you want to, you can just prep things somewhat arbitrarily and enjoy the ‘randomness’ of the results.
One of the nice things about being in Switzerland, as well as the beautiful scenery, perfect trains and wonderful cheese, is the number of Bernina stores dotted about the place. Some of them are in surprising places, it often feels like you’ll see one in every small village, but they are usually excellent haberdasheries as well as sewing machine technology wonderlands.
I love making these fabric boxes. It’s great having a project where you get a nice big square area to do some free motion quilting over and they’re a relatively simple pattern overall. This is the third of these boxes I’ve made – you can see my first and second attempts here and for this one I really wanted to focus on the free motion quilting for it.
Lyon, to me, is one of the gems of France. It is deservedly famous for the local cuisine, the beauty of the preserved old city, now a UNESCO world heritage site and, even better, for being the historical and modern home of some of the most beautiful silk weaving ever to grace this earth.
Dressmakers often use a calico toile, or mock-up, as a way of checking the fit of a garment. An added bonus is it is a good way of practicing any tricky parts of the construction or identifying any problem areas because you’ve shredded your £20 a metre silk you’ve been cherishing for several years, awaiting the perfect project.
Disclaimer: This post contains affiliate links meaning if you purchase the book through these links, I receive a small commission that contributes to the running costs of the blog. However, any recommendations and opinions in this review are my own. For more information, please click here.
It was always going to be a challenge to dislike to a book that starts with the sentence ‘I am assuming here, Dear Reader, that you are not naked’. It was also always going to be a challenge to dislike any book that promised an adventure through our textile past, present and future.
After the frustrating mess that was my last zipper bag, I decided the best thing to do was to confront my fears head on and just repeat the pattern again, trying out some different batiks along the way. After all, I had found my zipper foot, and completely understood all the demands of the pattern right?
I really love visiting museums. Where else can you cross a thousand years of history in a few hundred metres, or from central London to deepest Patagonia? I have a sentimental fondness for the V&A in London, and have been to some other great places, such as the breathtaking National Palace Museum in Taipei to the highly specialist Quilt Museum in Boston. Luckily for me, Seoul has a great blend of museums at both ends of the spectrum, from the expanse of the National Museum of Korea, or several, small gems of textile history.
