Last week was the exhibition that accompanies the Hand and Lock Prize for Embroidery, which is a seriously lavish celebration of embroidery talent. There are several categories to the prize, including Fashion and Textile, with Open and Student levels. Whether you love all the individual exhibition pieces or not, there is no denying that the Prize attracts a veritable cornucopia of talent and is the ultimate ‘up yours’ to anyone who doesn’t think embroidery can be art.
What’s this? Some gold threads sighted somewhere near a goldwork project? Wow! Today marks update number three on the monstrous goldwork monogram project. I promised to try and keep you all updated semi-regularly on this one and as part of that I’ve been trying to fit in around one lesson a month to keep things rolling. It’s slow, but I have a few little pieces and lessons to share with you!
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It was always going to be a challenge to dislike to a book that starts with the sentence ‘I am assuming here, Dear Reader, that you are not naked’. It was also always going to be a challenge to dislike any book that promised an adventure through our textile past, present and future.
Some actual stitching begins on the monstrous goldwork monogram project! I love working on slate frames but by the time you’ve finished setting them up, getting the design pricked and pounced on, then I guess you have plenty of time to reflect on whether attempting a project of this magnitude was really a good idea with all the free time I don’t have recently… Answers below the cut!
Welcome to the first post of 2019, what I hope will be a happy year for all of you filled with piles of shiny inspiration and crafting time. If I look back over the last year, before I start looking forward into the next one, it has definitely been an interesting time as well as the year where this blog has grown to over 100 posts!
From November 22nd to 25th, Harrogate Convention Centre was transformed to a den of fibre and fluff for the annual Knitting and Stitching Show. For those of you not familiar with the Knitting and Stitching Show, it’s a convention hosted at several sites in the UK, with the biggest being at Alexandrea Palace in London, features teams of suppliers, workshops and demonstrations for all things knitting and stitching.
A lot of things were supposed to happen this year, including finding a way to get back to my Royal School of Needlework certificate course, but of course, sometime the things that are supposed to happen just don’t work out. At least they don’t always work out as planned, sometimes they work out in mysterious ways that actually end up being maybe better than what you’d originally been aiming for.
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I don’t know how I’d managed to miss this fantastic institution on last year’s visit to California, but just in case all the wonderful quilt stores haven’t wowed you, or the amazing world of lace, San Francisco has yet another gem very well hidden away on top of Tiffanies, the SF School of Needlework & Design.
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One of the great things about the spread of the Internet has been the increasing accessibility of information on even the most niche of hobbies. This is great news for crafters for very obvious reasons, but with a growing number of wonderful Youtube tutorials and online stitch tutorials, is there any place left for a hardbound stitch bible?
After the RSN Day Class, I still had rather a lot of work to do on my goldwork and silk shading monogram. The stem stitch part was completed but I still needed to finish the raised leaf stitch, the shading on the flower, a lot of couching and some chip work too!
astitchornine 