I think I should be very careful about ever complaining about have a few too many demands on my time on my blog again…. Apparently, life decided to take that as something of a challenge and pile things on to an extent that definitely crossed the ridiculous threshold and in a way that will also mean lots of big changes up ahead… Just when I was thinking of getting a bit settled!
I’m a little late to the party on this one, but as I thought I’d finally find the time to finish up a Craftsy course I’d watched part-way through and then abandoned, I couldn’t escape sharing a few of my thoughts on some of the changes that Craftsy has undergone in its reimaging as the new Bluprint website. For those of you not familiar with Craftsy, it was an online craft course platform, where you could purchase a video course, watch away at your leisure, and interact with other students and the instructor through a type of integrated forum.
Welcome to the first post of 2019, what I hope will be a happy year for all of you filled with piles of shiny inspiration and crafting time. If I look back over the last year, before I start looking forward into the next one, it has definitely been an interesting time as well as the year where this blog has grown to over 100 posts!
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For regular readers of the blog, it will come as no surprise when I say I really, really like colours. I like looking at them, playing with them, making them and stumbling upon which combinations come together to make something even more exciting than their constituent parts. It probably also comes as no surprise then, that when I saw Kassia St Clair’s ‘The Secret Lives of Colour’, I felt as though someone had written a book just for me.
I think I am suffering with a great case of crafter’s block, which I am going to define as suffering with the desire to make all the things, having lots of ideas, but no ability to actually execute any of this.
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For those of you not familiar with temari, they are the wonderful embroidered balls that are often covered in mindboggling geometric designs or traditional Japanese motifs, such as cranes or 菊 (kiku), the chrysanthemum, often considered the national flower of Japan.
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The last six months have been a bit of a rollercoaster ride, with two moves, a new job and all the general chaos and upheaval that comes along with that. It has been rather exhausting and the whole thing has seen me decoupled from a lot of my crafting equipment, my stash as well as all my usual routines.
In last year’s New Year’s Even post, I set out some goals for 2017. Now we’re at the other end of 2017, how much progress have I made on any of them?
When Taiwan was discovered by Portuguese sailors, they gave it the name, ‘Ihla Formosa’ meaning ‘beautiful island.’ It’s an apt name for a place that, even in November, is still about 30 degrees and is host to some beautiful landscapes and fantastic flora and fauna. I love how you see orchids absolutely everywhere too and I really miss the delicious pineapple that is just as ubiquitous and also makes its way into cakes and sweets.
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It’s New Year’s Eve and traditionally the time for decrying all the disasters and misery of the past year and making promising about slinking into the next year with perfectly coiffured hair, two dress sizes smaller, speaking six new languages whilst simultaneously completing an MBA and running an ultramarathon.
I’m not entirely sure whether to write 2016 off as a year of disastrous underachievement. There are still five billion works in progress that haven’t really progressed as much as they should, there are still projects and designs that haven’t made it off the pages of sketchbooks and the stash monster looks like it may be making territorial gains.
