I’ve ventured far out of my way to visit craft shops before, some of which were rather off the beaten track, but I’m not sure any have proved quite as impossible to get to Zürcher Stadler. This isn’t so much because it is in the middle of nowhere, or because the sat-nav can’t find it, but because the road network leading to the place has a strategically placed no entry sign that seems to make it impossible to enter the estate where the shop is. I won’t say how we overcame that particular obstacle but plan your visit and route in advanced.
Tag: weaving
Spycher Handwerk, Huttwill, Switzerland
It’s very easy to feel that you’re in the middle of nowhere in Switzerland. Even Geneva, which is the second most populated city in Switzerland, has a population of less than two hundred thousand. The five biggest cities represent 40 % of the total population, making it relatively easy to ‘escape to the countryside’ where there are some excellent hidden gems of craft shops.
Swiss Tour I – Ballenberg
I’ve blogged before about how a country’s textile history often shaped its social and cultural history, as well as infrastructure and landscape, and Switzerland is no exception to that. While perhaps most famous for the St. Gallen embroideries and lace (and you can see some fantastic examples of that at the local textile museum), Switzerland also has a rich history of silk and cotton production and even passementerie, particularly in the Basel region.
Musée des Tissus et des Arts décoratifs, Lyon
Hopefully last week’s post about the various weaving workshops and artisans around Lyon set the scene of some of the wonderful textile past and present to be found here. If that wasn’t enough to tempt you, this week I present Lyon’s fabulous Musée des Tissus, the ‘Museum of Textiles’.
Lyon, ville de soie
Lyon, to me, is one of the gems of France. It is deservedly famous for the local cuisine, the beauty of the preserved old city, now a UNESCO world heritage site and, even better, for being the historical and modern home of some of the most beautiful silk weaving ever to grace this earth.
Sampling
Sorry again for the slightly sporadic posting… It’s not that there haven’t been lots of things to say, I’ve still been finding a bit of time to squeeze into a few projects, but finding enough of a pause to sit down and write something sufficiently composed that it wouldn’t sound like fevered gibberish or a laundry list of swear words has been slightly more difficult.
The Spinner’s Palette
Sometimes simplicity is best. After my last batch of dyeing, I’ve been trying to work through various colours to create a ‘palette’ to be able to spin from. The nice thing about dyeing top for spinning rather than dyeing a skein of wool directly is that this still leaves a huge number of possibilities for colour blending and mixing at different stages of the process.
Hello little Kromski Harp!
Dear readers, I have done a terrible thing. So miserable was I at the absence of my lovely 8-shaft table loom, missing all the justification for fancy fibres and silly spinning, that I went and bought a rigid heddle loom.
Yarn Shop Santa Cruz and Fengari, Half-Moon Bay
Cross the river from Harts Fabrics in Santa Cruz and you’ll come across a very appropriately named shop, Yarn Shop Santa Cruz. No prizes for guessing what they sell a lot of. Lots of lovely, snuggly, squishy wool.
The Home of Saori Weaving
Although I was really in Japan for some hardcore temari studies, I couldn’t resist the opportunity to have a look for some weaving courses. It’s hard not to fall in love with the exquisite and wonderful world of Japanese textiles, in particular the world of 西陣織 (nishijin ori), the intricate weaving behind the most luxurious of fabrics.
I’d done a weaving experience at the Nishijin Textile Factory where I made a scarf/table-runner hybrid with all the charm and textural properties of a bag of fleas. Past that, I haven’t had much luck finding short, drop-in weaving courses. That was until I had the opportunity to not only meet the creator of saori weaving but to study in her studio.