I was going through my fabrics, looking for some scrap to help frame up some embroidery, when I came across some old ice dyed fabrics I made a while ago and was struck by how nice they were. What is also very rewarding about ice dyeing is that it is very straightforward to do and, if you want to, you can just prep things somewhat arbitrarily and enjoy the ‘randomness’ of the results.
Thank you all so much for your incredibly kind comments on my blog the other day. I honestly was really touched by you all taking the time to be encouraging and sympathetic. I don’t know if it was the sheer loveliness that got me really wanting to stitch again or maybe that post was blowing off the last bit of the cobwebs for me to emerge out of the cave I’ve been hiding in. The best part is, here is all the embroidery for my lovely canvaswork piece finished with another great story of human kindness to go with it.
I’ve ventured far out of my way to visit craft shops before, some of which were rather off the beaten track, but I’m not sure any have proved quite as impossible to get to Zürcher Stadler. This isn’t so much because it is in the middle of nowhere, or because the sat-nav can’t find it, but because the road network leading to the place has a strategically placed no entry sign that seems to make it impossible to enter the estate where the shop is. I won’t say how we overcame that particular obstacle but plan your visit and route in advanced.
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For regular readers of the blog, it will come as no surprise when I say I really, really like colours. I like looking at them, playing with them, making them and stumbling upon which combinations come together to make something even more exciting than their constituent parts. It probably also comes as no surprise then, that when I saw Kassia St Clair’s ‘The Secret Lives of Colour’, I felt as though someone had written a book just for me.
It’s very hard not to love California with its great weather, beautiful coastline and abundance of really excellent craft shops. I certainly found a few good places when I visited last year. So what better way to guide a road trip south of San Francisco than trying to combine as much sea and fabric as possible?
Next skill in the list to learn, bindings. I was somewhat encouraged by my success with my first two attempts at coasters and also wanted to try some patterns a little more reminiscent of a quilt block. The added advantage of this also being that I got to play with more colours all at the same time.
A trip to California wouldn’t be complete without following some of its legendary coastlines and dropping into a yarn shop or two on the way. In the quaint, picturesque little city of Carmel-by-the-Sea, is the aptly named, Knitting by the Sea. Maybe knitware and sand aren’t a combination that instantly springs to mind, but this lovely yarn shop will soon have you convinced.
I’ve recently discovered the joys of sprinkle dyeing, where the dyeing process is reduced to 1) soak yarn at required pH, 2) dump powder dye directly on yarn, 3) fix dye as necessary. No solutions, no mixing, no syringing. I can actually clean up in less than five minutes after sprinkle dyeing, ideal for a busy schedule, dangerous as I am now drowning in very lurid sock yarns with no time to knit socks.
While roaming around Pinterest one day, I saw some interesting looking fabric that had been dyed using a technique known as ‘ice dyeing’. The name sounds a lot more glamorous and complicated than the technique actually is. All you do is dump a load of ice on your fabric, put powder dye on the ice and wait but, for such an easy technique, the patterns it produces are actually very interesting.
While discovering that Procion MX dyes are very happy to dye wools, I came across something else that gave me pause for thought. Although there’s not a wealth of information on using Procion MX dyes with acid, most of the advice that is out there says you need to steam or heat the fibre after applying the dye.
For acid dyes, heating the dyebath is standard practice to help fix the dyes. Fibre reactive dyes, like Procion MX, don’t require this, which is definitely an advantage when trying to do large bits of tie-dying. The standard advice when working with fibre reactive dyes on cellulose fibres and silks is to do your dyeing, then leave your fibre damp with the dye on it for at least a good few hours, closer to 24, if you want strong colours.
As I tend to like very intense, saturated colours, I tend to err on the side of giving the dye a longer reaction time. For some short-sighted reason, I’d always assumed that there was some kind of degradation of the Procion dyes at higher temperatures, hence leaving them to react at ‘room temperature’ but seeing as steaming the wool lately with Procion dyes had worked just fine, that obviously couldn’t be the case.
Was there really a way to go speed up Procion dyeing so I didn’t have to wait so long to see what wonderful mess I’d made?
When you first start dyeing, there’s an overwhelming range of colours to choose from. As well as thinking about what kind of materials you want to be dyeing, whether you are going to need any auxiliary chemicals for the techniques you want to use, you need to think about what set of dyes you’re going to use to get you started.
Now this is all a lot easier if you have an infinite budget and the cupboard space to match. You can just buy a bit of everything to try. Some suppliers offer ‘starter kits’ as well, with smaller amounts of a range of different dyes to get started. Many dyers will tell you though that all you need is a small select palette and you can mix the rest. So is it really worth investing in a big range of different dyes?
