Machine embroidery is a lot of fun and there’s a huge wealth of designs out there that come both with the machine and are available either for free or a small price. As I did for my previous monogrammed card, these designs can be combined either on the machine itself or using some embroidery design software.Read More »
It seems like a lifetime ago I was sat in the London Embroidery School’s basement studio stabbing myself repeatedly with pins while doing some lace appliqué. Their in-person classes won’t be resuming until end of August but in the meantime the team have been working very hard to bring you some online offerings, including some Instagram stitch-alongs and a mixture of free and paid classes on their Youtube channel.
Recently, they advertised an online monogramming course that caught my eye which, at the price of £20 for three hour long videos I thought was worth taking a chance on.
I think a really exceptional workshop is one that not just teaches you a few new skills, but a whole new perspective on the possibilities a craft offers. That’s very much how I felt about the weekend spent with Jacqui Carey, where I finally found the easy way of creating warps (particularly with metallic threads) but also saw a more creative side to kumihimo beyond just copying patterns and playing with colour designs.
One of the many, many things I like about dyeing, dyes and dyed objects is they make fantastic photography subjects. Maybe that’s because, for me, a load of coloured splodges in a suitable colour scheme are high art and that combination of things is really the essence of dyeing.
There is a new member of the family that I have yet to have the pleasure of introducing you all to yet… My new Bernina 790 Plus. (Complete with embroidery module because the thing wasn’t monstrously huge enough without it).
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A book about knitting in the New York Times Bestseller list? Apparently not as outrageous as it sounds. Welcome to ‘Knitlandia: A Knitter Sees the World’, Clara Parkes’s collection of tales of knitting conventions and events across the world.
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Art? Handicraft? Women’s work? What is needlework to you? To Clare Hunter, needlework is not just a decorative frivolity but true skilled labour and a means of telling the stories of the individuals, countries and historical periods. To her, the act of sewing is to secure and trap out personal memories in thread and fabric. ‘Threads of Life: A History of the World Through the Eye of a Needle’ is Clare Hunter’s exploration of the oft-forgotten tales of the accomplished hands that created many different textile pieces, lost and preserved, and the political and social environments surrounding their work.
Disclaimer: This post contains affiliate links meaning if you purchase the book through these links, I receive a small commission to help keep running the blog. However, any recommendations and opinions in this review are my own. For more information, please click here. I received a copy of this book as a gift. All images featured are from the book and are the work of the author, Ai Mizuta.
I’ve moved recently and one of the things that this always forces you to confront is quite how much I love books. This isn’t a particularly new realisation to me, I’ve always been a huge fan of novels, short stories or any form of literature, but I have really managed to amass quite a craft book collection over the last few years.
I’ve ventured far out of my way to visit craft shops before, some of which were rather off the beaten track, but I’m not sure any have proved quite as impossible to get to Zürcher Stadler. This isn’t so much because it is in the middle of nowhere, or because the sat-nav can’t find it, but because the road network leading to the place has a strategically placed no entry sign that seems to make it impossible to enter the estate where the shop is. I won’t say how we overcame that particular obstacle but plan your visit and route in advanced.