I don’t remember how I stumbled upon the existing of the Japan House in Kensington, London, but I am very glad I did. Apparently it is supposed to be ‘presenting the very best of Japanese art, design, gastronomy, innovation, and technology’ to deepen our appreciation of what Japan has to offer. It’s a really interesting and honestly incredibly persuasive initiative from the Japanese Ministry of Foreign Affairs, especially when they put on some incredible textile exhibitions which you can enjoy for free.Read More »
With all the fibre prepped, it was just a case of deciding how I wanted to spin it up and what kind of yarn I wanted to make. My default setting is spinning a somewhat thin fingering weight two-ply but I wanted to challenge myself to do something different and get the practice and control that comes with expanding your spinning repertoire. Even if it is something you only spin as a sampler.
I am very happy to announce that I have finally been reunited with my beloved Ashford Traveller. There hasn’t been much spinning news from me in a while, as I didn’t take my wheel with my on my last move and fortune saw fit to united me with a wheel of somewhat unknown make, possibly an old Ashford Traditional.
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It’s very easy to feel that you’re in the middle of nowhere in Switzerland. Even Geneva, which is the second most populated city in Switzerland, has a population of less than two hundred thousand. The five biggest cities represent 40 % of the total population, making it relatively easy to ‘escape to the countryside’ where there are some excellent hidden gems of craft shops.
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‘The BIG Book of Fibery Rainbows: Creating and Working with Multi Colored Fibers and Palettes’ by Suzy Brown and Arlene Thayer of Fiberygooness was always going to be one of those books that someone would have to actively dissuade me from buying after reading the title. Fibre, colours and books, what was there going to be not to love?
Sometimes simplicity is best. After my last batch of dyeing, I’ve been trying to work through various colours to create a ‘palette’ to be able to spin from. The nice thing about dyeing top for spinning rather than dyeing a skein of wool directly is that this still leaves a huge number of possibilities for colour blending and mixing at different stages of the process.
Kiel is a charming city in the north of Germany, only about an hour and half from Denmark, with plenty of beautiful waterfronts. Maybe inspired by the slightly… brisk weather during the winter though, it also seems to be home to a surprising amount of spinning, weaving and wooly goodness.
Welcome to the first post of 2019, what I hope will be a happy year for all of you filled with piles of shiny inspiration and crafting time. If I look back over the last year, before I start looking forward into the next one, it has definitely been an interesting time as well as the year where this blog has grown to over 100 posts!
Oh how I’ve missed splashing around with colours and silks. It has been far too long since I’ve had fun playing with dyes, partly out of fear of destroying my deposit for my overly white apartment. The colour scheme for most of the paint isn’t even magnolia, beige or cream, it’s brilliant white and therefore completely unforgiving on all things dirt or dye related… If anyone would like to preempt my future problems and has any advice on removing dyes from surface where it is not supposed to be, please offer away!